The Good the Bad and the ugly of Screen Printing on Dark Garments

Author: admin  |  Category: silkscreen shirts, t-shirts printing

 

 

 

Screen Printing on dark garments is certainly not without it’s challenges, however dark shirts still seem to be the most popular choice among our customers. I have talked to some extent of the shortfalls of most digital garment printers in this arena on previous posts and will spend a few minutes here explaining what you might expect when you order your custom screen printing on black or dark colored shirts.

 

The first thing to expect is that dark shirts will always cost more for a couple of reasons. First, the shirt itself costs more than white shirts and second, printing on dark shirts in most cases will require an underbase coat to make your design colors appear vibrant and opaque. The process of an underbase requires that a separate screen be made, or at least a print flash print process be employed, either of which requires additional labor and time to perform thus driving the cost of your shirts upward.

 

The second thing to understand and expect is that your design will have a heavier hand due to the above mentioned process and thicker ink deposits. This is usually not a big problem as many designs have open areas within the design and don’t require solid coverage over the entire area of the design.

For designs that have solid coverage over large areas however, it can become like a rubber patch on your chest or back. There are some procedures that can aleviate this problem such as discharge inks which for lack of better terms removes the dye of the shirt making it more of a natural color and thus easier to print lighter colors over, and or the use of water base inks are used with good success. Either of these processes are not used by every printer you may visit so you may find yourself shopping longer if this is something you want in a dark shirt, not to mention some of the discharge chemicals are not very delightful and can cause skin irritation.

 

Knowing what to expect when ordering custom screen printing on dark shirts will help you avoid surprises when you pick up the finished product and may save some time in the ordering process as these characteristics may influence the color of shirts that you want to order. Visit our website to learn more about ordering your custom T shirts.

What makes a good logo?

Very Well said, I think this is right on the mark.

via Just Creative Design by Jacob Cass on 7/26/09

Principles of Effective Logo Design

What makes a good logo? A good logo is distinctive, appropriate, practical, graphic, simple in form and conveys an intended message.

There are five principles that you should follow to ensure that this is so…

An effective logo is (in no particular order):

  • Simple
  • Memorable
  • Timeless
  • Versatile
  • Appropriate

1. Simple

London Underground Logo

A simple logo design allows for easy recognition and allows the logo to be versatile & memorable. Good logos feature something unique without being overdrawn.

While in college in the mid-70’s an instructor introduced me to the K.I.S.S. Principle of design; which translates to: Keep It Simple, Stupid. It does convey a very important design consideration. Simple logos are often easily recognized, incredibly memorable and the most effective in conveying the requirements of the client. A refined and distilled identity will also catch the attention of a viewer zipping by signage at 70 miles per hour, on packaging on the crowded shelves of a store, or in any other vehicle used for advertising, marketing and promotion. Remember, the basis of the hugely effective international branding for the world’s largest shoe manufacturer is a very simple graphic swoosh.

~ Jeff Fisher

2. Memorable

McDonalds Logo Design

Following closely behind the principle of simplicity, is that of memorability. An effective logo design should be memorable and this is achieved by having a simple, yet, appropriate logo.

You may be interested to see some examples of bad logo designs.

Surprising to many, the subject matter of a logo is of relatively little importance, and even appropriateness of content does not always play a significant role.

This does not imply that appropriateness is undesirable. It merely indicates that a one-to-one relationship between a symbol and what it symbolized is very often impossible to achieve and, under certain conditions, objectionable. Ultimately, the only mandate in the design of logos, it seems, is that they be distinctive, memorable, and clear.

~ Paul Rand

3. Timeless

coca-cola-logo

An effective logo should be timeless – that is, it will stand the test of time. Will the logo still be effective in 10, 20, 50 years?

Leave trends to the fashion industry – Trends come and go, and when you’re talking about changing a pair of jeans, or buying a new dress, that’s fine, but where your brand identity is concerned, longevity is key. Don’t follow the pack. Stand out.

~ David Airey

Probably the best example of a timeless logo is the Coca-Cola logo… if you compare it to the Pepsi logo below, you can see just how effective creating a timeless logo can be. Notice how the Coca Cola logo has barely changed since 1885? That is timeless design.

Update: 8/08/09 – Underconsideration has posted an updated timeline of the Pepsi vs CocaCola logo. Thanks for the tip off Jon.

Timeless Logo Design

4. Versatile

WWF Logo

An effective logo should be able to work across a variety of mediums and applications. For this reason a logo should be designed in vector format, to ensure that it can be scaled to any size. The logo should be able to work both in horizontal and vertical formats.

Ask yourself; is a logo still effective if:

  • Printed in one colour?
  • Printed on the something the size of a postage stamp?
  • Printed on something as large as a billboard?
  • Printed in reverse (ie. light logo on dark background)

One way around creating a versatile logo is to begin designing in black and white only. This allows one to focus on the concept and shape, rather than the subjective nature of colour. One must also remember printing costs – the more colors used, the more expensive it will be for the business over the long term.

I like to work first in black and white to ensure that the logo will look good in its simplest form. Color is very subjective and emotional. This can distract from the overall design – say if you saw your logo in all red, that color may be the first thing that you respond to and not the composition of the design elements. I will not even consider submitting color suggestions to a client for review until they have signed off on a final black and white logo.

~ Patrick Winfield

One should also familiarise themself with the commercial printing process so as not to come into printing problems further down the track. Learn to know the difference between the CMYK, Pantone and RGB color systems. When designing logos, the Pantone colour system is recommended.

5. Appropriate

ToysRUs Logo

How you position the logo should be appropriate for its intended purpose. For example, if you are designing a logo for children’s toys store, it would be appropriate to use a childish font & colour scheme. This would not be so appropriate for a law firm.

It is also important to state that that a logo doesn’t need to show what a business sells or offers as a service. ie. Car logos don’t need to show cars, computer logos don’t need to show computers. The Harley Davidson logo isn’t a motorcycle, nor is the Nokia logo a mobile phone. A logo is purely for identification.

For further evidence of this, take the top 50 brands of the world – 94% of the logos do not describe what the company does.

Paul Rand also has a say on this topic:

Should a logo be self-explanatory? It is only by association with a product, a service, a business, or a corporation that a logo takes on any real meaning. A logo derives its meaning and usefulness from the quality of that which it symbolizes. If a company is second rate, the logo will eventually be perceived as second rate. It is foolhardy to believe that a logo will do its job immediately, before an audience has been properly conditioned.

~ Paul Rand

What makes a great logo in your opinion?

Recommended logo design resources:

This is a taste of an article “Vital Tips for Effective Logo Design” that will be appearing on Smashing Magazine quite soon. Ensure you are subscribed to Smashing Magazine so you don’t miss out.

What is Digital Garment Printing? (DTG direct to garment Printing)

via Digital Garment Printers - Recently Updated Pages by Garment-Printer-Guy on 9/23/09

What is Digital Garment printing? (or known as apparel printing, direct to substrate printing or DTG digital direct to garment printing)

The Decorated Apparel Industry was taken by storm in late 2004 when some of the first commercial based direct-to-garment printers were released. Before you can truly understand why DTG digital garment printing has become so popular, you will need to understand some background history.

For years, if you wanted to print a couple of cotton shirts you would use either digital transfer paper or try to screen print the order. Both of these decorating methods have their positives, but they also come with negatives. Digital transfers allow you to create as little as a one-off shirt via a standard desktop inkjet or laser printer. The cost to make a single transfer can range from $0.50 to $2.50 depending on what ink and paper is used by your printer. However, the transfer paper is covered with a polymer (AKA adhesive) that glues the ink to the top of the shirt. The polymer typically will leave a hand where it is applied and can discolor the shirt or create a window around your graphic. New transfer papers have been released that either minimize the window or uses a 2-step process to eliminate the window completely.

Screen printing has traditionally been the decorating method of choice for most of the apparel that you see in retail stores. With screen printing, ink is only dropped down on garment where the design is, thus eliminating the undesirable window that can occur with some digital transfer paper. However, a graphic must be separated (the process that breaks the down graphic into the different colors needed to print it), a screen must be burned for each color and it requires a screen printing press to be setup. This can become a very time consuming and expensive process when you only need a few shirts. Commonly referred to as a short run, which can be as low as 1 shirt to as many as 48 depending on the size of the shop, the cost per a screen printed shirt could easily be more than what your customer is willing to pay for.

With the changes in fashion leaning more toward short-run, limited edition personalized garments, the need for a high quality solution grew. Of course, apparel decorators are never satisfied with the concept that things are never going to get any better.

Manufacturers and distributors continued to push the boundaries by finding cheaper and faster ways to screen print or to creating better inkjet transfers papers with less hand or feel to them. But the introduction of DTG digital garment printing allowed us to take the positive aspects of both inkjet transfers and screen printing in a solution that could be done in a compact space.

The concept of DTG digital garment printing is basically using a digital printer to lay down a textile water-based ink that has chemical binders that allow the ink to remain on the garment without a polymer being applied to the top of the shirt like a transfer. The ink is then cured to the garment using either a heat press or a textile conveyor dryer.

On average, an apparel decorator can take the artwork from a customer, put it on to a garment and get paid by the customer in less than 10 minutes. With some modification to the artwork, the decorator can personalize the next garment with a name, number(s) or different colors and produce another custom garment in minutes. That is the beauty of DTG digital garment printing – short run, personalized garments in the matter of minutes.

Which type of method should you use for imprinted apparel?

When looking at garment decoration printing options, many times the decision comes down to a choice between four main options—each with its own strengths and weaknesses. For printing directly onto the garment your choices are direct to garment digital printing (DTG) and traditional screen-printing. The other methods would be sublimation or thermal transfers. As stated above, each of these processes has its own pros and cons. You should make your decision based on the factors that are most important to your business application.


Thermal Transfer Printing

Thermal transfer printing involves the smallest initial investment, you simply need a conventional inkjet or color laser printer with the proper transfer paper and a heat press and you are ready to go. The most common complaints about thermal transfers are cost per print, inconsistent wash results, peeling and/or cracking of the transfer, outline of transfer paper visible on the garment and unnatural feel of shirt where the transfer was placed (heavy hand).

The issue of the outline of the transfer paper can be addressed by trimming the transfer prior to pressing, which can greatly add to the production time. The typical inkjet printer using off the shelf inks and moderately priced transfer paper will print a letter sized transfer (8½" x 11") for about $1.50 - $2.00. The process is simple to learn and friendly to most cotton and cotton blend garments but, it is also a process that any consumer can reproduce at home with their own desktop printer and a "t-shirt printing kit" from their local office supply store making it somewhat difficult to sell. As inkjet and laser printer inks are translucent, thermal transfer printing is a white or light garment decoration option only.

Sublimation Transfer Printing

Sublimation transfers differ from thermal transfers in that they are a dye that actually transfers from the carrier paper to the garment. When heated, sublimation pigments pass from a solid state to a gas state (never becoming liquid) and imbed themselves in the fibers of the garment. Sublimation produces a print that has virtually no feel (little or no hand) on the garment. Sublimation is more expensive to get into than thermal transfer printing, as you need a dedicated inkjet or color laser printer as well as specialty sublimation inks and a heat press. A full set of sublimation inks can run into the $300-400 range for the typical inkjet printer toners for color lasers are sometimes $500-600.
Unlike thermal transfers, screen-printing and direct to garment printing sublimation needs a synthetic substrate to effectively transfer to simply put it is not cotton friendly. Sublimation is definitely the process of choice for decorating non-textiles such as mugs, plates, brass and aluminum.

Certain manufacturers now make sublimation ready garments that are cotton with polyester "front". These shirts do address the issue of needing a polyester shirt (most people don't like the feel of a 100% poly shirt against their skin) but it comes at a price. A traditional 6-ounce white cotton t-shirt costs a little more than $1 while a similar sublimation ready shirt will cost from $5.50 - $7.00 just for the blank. Add to the cost of the garment another $1.00 - $2.00 for the transfer (8 1/2" x 11") and a single sublimation t-shirt can cost as much as $9.00 to produce.

Sublimation does produce very vibrant prints when printed on the correct type garment and their wash fastness is excellent, however, they do tend to fade with exposure to sunlight, so they are not the best solution for garments that will be worn extensively outdoors.
Most manufacturers of sublimation inks/toners offer specialty software for printing sublimation transfers that contain profiles for better color matching while these packages a nice, they also add additional cost and learning curve to the process of producing good output. Because of its' nature, polyester is a white, or light color garment decoration process only.

Screen-Printing

When most of us think of decorated t-shirts we think of traditional screen-printed shirts. The process of screen-printing is the oldest and most proven of the four common methods of garment imprinting, it is also the most labor intensive. Screen-printing lends itself well to large run orders as well as to simple logo work. The more colors and the smaller the order the less that traditional screen-printing makes sense. Unlike the other three processes discussed here, with screen-printing once the artwork is done on the computer: the work really begins.

A typical 4 color screen-print job can take 2 hours from the time the artwork is done on the computer until the first garment is printed. Once the job is set up, though, shirts can be produced a very high rate. Orders of 12-24 shirts are definitely not practical with a screen-printing set up and many screen-printers won’t take an order for less than 72 garments.

Once everything is setup a traditionally screen-printed garment may only have 5-10 cents worth of ink on it, however, the typical screen-print job costs $10-15 per color to set up. Because screen-print inks can be opaque, screen-printing lends itself to white, light and dark garments (though printing on darks does require a bit more skill than lights and whites).

Other issues of concern with screen-printing are workspace and disposal of waste products as well as a moderate learning curve. Overall, if high volume production is your main objective, screen-printing is a good route to explore. Learn more about SWF East's screen-printing solutions.

Direct to Garment Digital Printing (DTG)

The newest and most exciting way to imprint garments is Direct to Garment Digital printing or DTG. DTG digital garment printing involves the use of a highly modified inkjet printer with specially formulated garment inks which are heat set with a heat press or tunnel dryer. Unlike screen-printing, DTG output does not require separations, films and screens. Once your artwork is ready on the computer it is output directly onto the garment.

Because of the lack of steps required for DTG, short run orders can be quickly and economically produced in a seemingly infinite number of colors. The cost of output onto a white or light colored garment is typically under 20 cents for an 8½ x 11 image and output onto a dark garment for the same size image is generally around $2.00. Production times on a DTG digital garment print are similar to those for a sublimation or thermal transfer, and generally a bit slower than those for traditional screen-printing (once the press is set up and printing). With DTG digital garment printing there is virtually no hand on light and white garments and minimal feel on dark garments.

A typical 6-8’ table provides sufficient room for your DTG digital garment printer and a heat press completes the package. DTG digital garment printing does not compete with simple one and two color screen print jobs when quantities exceed 3 or 4 dozen, but, it does fit in nicely for larger runs of more complex artwork (full color graphics).

The biggest challenge most new DTG digital garment printers face is marketing their product. As the process is only a few years old, many end consumers are not familiar with the process, however, once they realize that they can design their garments from a full colored palette (as opposed to a limited palette offered by most screen-printers) they will quickly transition to DTG output for a lot of their imprinted apparel needs.

With the advent of white ink for DTG printers a whole new marketplace for short run and custom dark shirts has developed that is virtually impossible to address with any other form of garment imprinting methods. DTG Digital Direct to Garment printing is the wave of the future for garment imprinting.

Learn more about printing with white ink on a Direct to garment printer and how the DTG isn't just for garments anymore.

Digital Garment Printers are also referred to as: Garment Printers, DTG Printers, Digital Apparel Printer, Inkjet Garment printers, DTG Direct To Garment Printers, DTS Direct to Substrate printers, DOG Direct on Garment Printers, Direct Garment Printers, Apparel Printers, Tshirt Printing Machines, T-shirt printers, DTC Direct To Cotton Printers, DTS Printers, DTC printers

Digital Garment Printer Page Table of Contents:
- What is DTG Digital Garment Printing?
- Digital Garment Printer Video
- Can Your Shop Mesh With a DTG Digital Garment Printer
- DTG Digital Garment Printer Photo's
- Digital Garment Printer Links
- Digital Garment Printers Homepage (Wetpaint digital garment printers homepage)



About

Greg Barber is part owner and operator of Artistic Apparel LLC, which has been providing quality decorated apparel and promotional products for the past 6 years.

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